Charlotte Lea Hodges-Mignot (Chacha)
2026
Mixed-media oil pastel on analogue photograph printed on 100% cotton rag paper with matte finish
Unframed
59.4 x 42 cm (A2)
Shipping: Artwork price includes shipping within Australia.
For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.
About
Chacha is a multidisciplinary artist whose practice explores magical realism. Working across paint, photography, and writing, she translates emotion from heart to hand, layering colour, texture, image, and words into compositions where reality and abstraction meet. Narrative sits at the centre of her practice, with words becoming colour and stories becoming form. Her work feels familiar yet otherworldly, inviting viewers to explore the space between reality and imagination.
The After imagines los muertos dancing beyond the end, where death becomes a place of celebration rather than disappearance. After losing my two grandfathers, Chacha realised she knew many versions of “Happy Birthday” - she could even sing it in three different languages -but she knew no song for a happy passage, for a good life transitioning into death. She found herself wanting to sing and dance for my grandfathers’ lives, for both life and death, and for the journey that separates the two.
Charlotte Lea Hodges-Mignot (Chacha)
2026
Mixed-media oil pastel on analogue photograph printed on 100% cotton rag paper with matte finish
Unframed
59.4 x 42 cm (A2)
Shipping: Artwork price includes shipping within Australia.
For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.
About
Chacha is a multidisciplinary artist whose practice explores magical realism. Working across paint, photography, and writing, she translates emotion from heart to hand, layering colour, texture, image, and words into compositions where reality and abstraction meet. Narrative sits at the centre of her practice, with words becoming colour and stories becoming form. Her work feels familiar yet otherworldly, inviting viewers to explore the space between reality and imagination.
The After imagines los muertos dancing beyond the end, where death becomes a place of celebration rather than disappearance. After losing my two grandfathers, Chacha realised she knew many versions of “Happy Birthday” - she could even sing it in three different languages -but she knew no song for a happy passage, for a good life transitioning into death. She found herself wanting to sing and dance for my grandfathers’ lives, for both life and death, and for the journey that separates the two.
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