Charlotte Lea Hodges-Mignot (Chacha)
2026
Mixed-media oil pastel on analogue photograph printed on 100% cotton rag paper with matte finish
Unframed
42 x 59.4 cm (A2)
Shipping: Artwork price includes shipping within Australia.
For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.
About
Chacha is a multidisciplinary artist whose practice explores magical realism. Working across paint, photography, and writing, she translates emotion from heart to hand, layering colour, texture, image, and words into compositions where reality and abstraction meet. Narrative sits at the centre of her practice, with words becoming colour and stories becoming form. Her work feels familiar yet otherworldly, inviting viewers to explore the space between reality and imagination.
Drawing from the intimate altars and layered walls of her childhood in Mexico, Twice brings together saturated colour, religious imagery and fragments of personal memory. “I’m sorry I lied twice” was written in an old journal entry, rediscovered beside a small laminated image of La Virgen. Together, these forgotten fragments became a meditation on confession, devotion, guilt, and a once-difficult memory now looked back upon with tenderness.
Charlotte Lea Hodges-Mignot (Chacha)
2026
Mixed-media oil pastel on analogue photograph printed on 100% cotton rag paper with matte finish
Unframed
42 x 59.4 cm (A2)
Shipping: Artwork price includes shipping within Australia.
For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.
About
Chacha is a multidisciplinary artist whose practice explores magical realism. Working across paint, photography, and writing, she translates emotion from heart to hand, layering colour, texture, image, and words into compositions where reality and abstraction meet. Narrative sits at the centre of her practice, with words becoming colour and stories becoming form. Her work feels familiar yet otherworldly, inviting viewers to explore the space between reality and imagination.
Drawing from the intimate altars and layered walls of her childhood in Mexico, Twice brings together saturated colour, religious imagery and fragments of personal memory. “I’m sorry I lied twice” was written in an old journal entry, rediscovered beside a small laminated image of La Virgen. Together, these forgotten fragments became a meditation on confession, devotion, guilt, and a once-difficult memory now looked back upon with tenderness.
