Good Luck and Bad Aren’t Always Easy to Distinguish

$850.00

Sean Leonard
2026
Acrylic pastel and aerosol on canvas
Unframed
51 x 61 cm

Artwork price includes shipping within Australia.

For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.

About
Sean Leonard is an emerging artist based on Bundjalung Country in the Byron Shire. His paintings develop through instinctive mark-making, layering and revision. Moving between abstraction and drawing, his work has a restless visual language that remains open to change.

Good Luck and Bad Aren’t Always Easy to Distinguish is built from fragments, with loose symbols and blocks of colour gathered across a dark surface. A red sun, house-like form, tear and self-portrait appear as signs that resist settling into a single story. Made with acrylic and pastel, the work moves between playfulness and unease. Earlier marks remain visible within the layered surface, giving the painting a sense of being felt through rather than fully explained.

Sean Leonard
2026
Acrylic pastel and aerosol on canvas
Unframed
51 x 61 cm

Artwork price includes shipping within Australia.

For international shipping, custom framing, or enquiries about commissioning a similar work by this artist, please contact hello@immicontemporary.com.

About
Sean Leonard is an emerging artist based on Bundjalung Country in the Byron Shire. His paintings develop through instinctive mark-making, layering and revision. Moving between abstraction and drawing, his work has a restless visual language that remains open to change.

Good Luck and Bad Aren’t Always Easy to Distinguish is built from fragments, with loose symbols and blocks of colour gathered across a dark surface. A red sun, house-like form, tear and self-portrait appear as signs that resist settling into a single story. Made with acrylic and pastel, the work moves between playfulness and unease. Earlier marks remain visible within the layered surface, giving the painting a sense of being felt through rather than fully explained.